“We are only here briefly, and in this moment I want to allow myself joy.” — Amy
“The past is just a story we tell ourselves.” — Samantha
Her (2013) is a Spike Jonze love story starring Joaquin Phoenix. Set in Los Angeles in the future, Her is a story about lonely Theodore (Phoenix) who spends his time at his letter writing job, playing video games at home, and using his futuristic smart phone. The new OS1 is released, boasting that it is the first artificial intelligent operating system. Theodore purchases it, decides to give his OS a female identity, and begins to interact and bond with his OS: Samantha (Scarlett Johansson). Samantha is an entity of great intelligence, but Theodore is surprised by her sensitivity and her capacity for emotion. They create a very intimate bond with each other and eventually fall in love. While he and Samantha are “dating”, Theodore is finalizing his divorce with Catherine (Roony Mara), his childhood sweetheart, and he finds solace and comfort with his friend Amy (Amy Adams). He is both excited and doubtful about his relationship with Samantha. He’s never felt so close to someone, but is Samantha actually “someone”?
While Her is a love story, the film is also a masked science-fiction commentary. Her is cautionary tale about smart phones and the problematic over-reliance and over-consumption of technology in general. As Theodore commutes home from work, he has his earphone device continuously in his ear, listening to e-mails read aloud to him, checking up on constantly updated news, etc. The other commuters around him also are constantly engaged in their smart devices that you never see people interacting with each other. It’s hard to think that technology could actually become more ingrained into daily life than it already is, but Her offers up a possibility for what may happen if mankind continues down the road it is currently on. I, myself, felt the impact of its message when the film ended: I attended a Oscar Movie Showcase in Chicago but went by myself; when the film ended, I immediately reached for my phone so I could talk about the film with a friend, but I felt awkward going straight for my phone.
Her is a beautifully artistic film. It’s so refreshing to see a film that steps outside the usual reservations. Her is a colorful film, saturated in bright warm colors, primary colors, oranges, reds, cyan. Theodore almost always wears an orange shirt. It seemed that the city and all its settings were sleek and patterned, a reflection of the modernity of technology and this advanced operating system. I love the idea of a future world improving itself just as technology improves itself. Los Angeles in Her is much bigger, but it is also much cleaner and more glistening than it is today. The wardrobe also played an interesting part in the film’s aesthetic. While set in the future, the style was vintage, evident by all the high-waisted pants. It’s a strange juxtaposition: cutting-edge, forward-thinking technology with classic and reinvented style. I think it contributes to the romanticism of the story — adorning the unconventional love story with color and patterns and paradoxes.
Joaquin Phoenix performs beautifully in Her. I say he was robbed of an Academy Award nomination, because he truly embodied the sweet and sensitive Theodore. Theodore has many flaws, but he is a sincere and earnest man, who found love and doesn’t want to give it up. He wants to believe in love and wants to lose himself in the comfort of partnership. Phoenix expresses these qualities so tenderly. When doubtful, he speaks with a hesitant honesty, and when he is happy, he laughs an unrestrained and liberated laugh. I connected very much to Phoenix’s portrayal of Theodore; I connected with him because he was a real person, a man whose goals and ambitions I understood.
Her is a gorgeous film, challenging us to redefine what love is. Among a backdrop of beautiful and bright colors, sleek patterns, and Arcade Fire’s fantastic score, Joaquin Phoenix shows us what it’s like to fall in love — an honest look: with both the good and the bad. Love with an operating system can very well be a metaphor for any unconventional relationship (i.e. a gay relationship, polyamory, etc), something real and beautiful but difficult to embrace among social pressures — but Amy’s above quote is the answer to any doubt or restraint: “We are only here briefly, and in this moment I want to allow myself joy.”